Occula is an exploration into high-legibility type although it’s not an effort to design the ultimate typeface in terms of economy and legibility. Instead, the goal has been to strike a balance between modern curves and lively old-style rhythm – using a rational design approach without becoming monotone.
Occula
Copyright ©2014
Designer: Lucas Brusquini
Occula is an exploration into high-legibility type although it’s not an effort to design the ultimate typeface in terms of economy and legibility. Instead, the goal has been to strike a balance between modern curves and lively old-style rhythm – using a rational design approach without becoming monotone. Or from another point of view: being humanistic and lively without looking old-fashioned and quirky.
Ligatures: Replaces a sequence of glyphs with a single glyph, creating a professional-looking text with no peculiar collisions among letters. This feature covers the standard f-ligatures, as well as few other ones used in normal conditions.
Oldstyle figures: Changes selected figures from the default lining to oldstyle i.e. numbers of varying height. These are appropriate for use with lowercase text. They come in two different styles: tabular and proportional. Tabular figures have equal widths (useful for tables, so that numbers line
up from one line to the next) whereas proportional have varying widths and are basically used within a sentence.
Lining figures: This feature changes selected figures from oldstyle to the default lining form. Lining figures are numbers which fit better with all-capital text and they are of the same height as capitals or a bit smaller. They also come in two different styles: tabular and proportional.
Proportional figures: Replaces selected figure glyphs which are set on tabular widths (lining or oldstyle), with corresponding glyphs set on proportional widths (lining or oldstyle).
Tabular figures: Replaces selected figure glyphs which are set on proportional widths (lining or oldstyle), with corresponding glyphs set on tabular widths (lining or oldstyle).
Small Caps: This feature formats lowercase text as small caps. These are not computer generated scaled-down versions of capitals, but rather glyphs which have been designed to match the weight and proportions of the rest of the family characters. They are often used in combination with oldstyle figures, for acronyms and abbreviations and stylistically at the beginning of a paragraph.
Small Caps from Capitals: Replaces capital glyphs with small caps.
Superiors: Replaces lining and oldstyle figures with superior figures and lowercase letters with
superior letters. These superior glyphs are not computer generated scaled-down versions but are rather
redesigned to match the weight of the regular glyphs. Superior figures are used mainly for footnotes
and superior letters for abbreviated titles (this feature includes Latin as well as Greek superior
lowercase and capital letters).
Scientific inferiors: Replaces lining and oldstyle figures with inferior figures. They have been
designed to match the weight of the regular glyphs and sit lower than the standard baseline. Used
primarily for mathematical and chemical notations.
725 glyphs /font
Small Caps, Standard f-Ligatures, Discretionary Ligatures, Oldstyle Figures (tabular/proportional), Lining Figures (tabular/proportional), Superiors (numerals/lowercase letters), Scientific Inferiors, Fractions, Numerators / Denominators, Localized forms, Access All Alternates
family: €125.00
single weight: €35.00