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Lindemann Sans
Lindemann Sans is an immediately inviting typeface with a pleasing distinct visual voice grounded by geometry and golden proportions. This modern geometric san serif typeface serves the interpretive needs of modern design through its legibility. A high level of legibility is arrived through distinctive glyphs like a, e, @, and f, which are engaging and add to Lindemann Sans visual voice.
€325.00 complete family
Lindemann Sans
Copyright ©2011
Designer: Chad Lindemann
Lindemann Sans is an immediately inviting typeface with a pleasing distinct visual voice grounded by geometry and golden proportions. This modern geometric san serif typeface serves the interpretive needs of modern design through its legibility. This legibility is achieved through proportional balance of each letter based on the golden ratio, open counters, high x-height and wider individual shapes. In addition, a high level of legibility is arrived through distinctive glyphs like a, e, @, and f, which are engaging and add to Lindemann Sans visual voice. Being a modern, spirited, tech-savvy typeface, Lindemann Sans has many of the features demanded by today's designers. These features include 800 characters within each font, many ligatures, full numbers sets, small caps, alternative characters and other niceties found in opentype fonts. Due to Lindemann Sans high legibility, geometric sans tradition, and a large feature set list, it is a very versatile typeface and can be used in replacement of the more commonly used sans. Specifically, Lindemann Sans can be used by technology corporations, architectural firms in their supporting materials, in magazines as headers and key-points, as the typeface for professional keynotes, for the package design industry as a whole, in automotive concept projects, and for cosmetic branding for high class hair products. With its inviting nature it may also be used for liberal arts promotional materials. In addition, this typeface can be used by green industries because of its nature derived proportions. Each style and weight of Lindemann Sans adheres to the same geometric and golden proportions, however, each weight is innately noteworthy. For example, there is a charm that is found in the ultralight weight's elegant geometry and lights impressive use as oversized headlines. It shines with true clarity of vision with the book weight and the versatility of the medium. One cannot overlook the power and pacing of the bold and extra bold weights with its clear counters and restrained letter forms. Within Lindemann Sans family each weight has a distinctive role to play but stays true to its purpose.
Fractions : Figures separated by slash, are replaced with diagonal fractions.
Ligatures:
Replaces a sequence of glyphs with a single glyph, creating a professional-looking text with no peculiar collisions among letters. This feature covers the standard f-ligatures, as well as few other ones used in normal conditions.
Discretional ligatures: Replaces a sequence of glyphs with a single glyph. It differs from the previous feature in the fact that it activates special (non-standard) ligatures for Latin and Greek.
Oldstyle figures : Changes selected figures from the default lining to oldstyle i.e. numbers of
varying height. These are appropriate for use with lowercase text. They come in two different styles:
tabular and proportional. Tabular figures have equal widths (useful for tables, so that numbers line
up from one line to the next) whereas proportional have varying widths and are basically used within a sentence.
Lining figures : This feature changes selected figures from oldstyle to the default lining form. Lining figures are numbers which fit better with all-capital text and they are of the same height as capitals or a bit smaller. They also come in two different styles: tabular and proportional.
Proportional figures : Replaces selected figure glyphs which are set on tabular widths (lining or oldstyle), with corresponding glyphs set on proportional widths (lining or oldstyle).
Tabular figures : Replaces selected figure glyphs which are set on proportional widths (lining or oldstyle), with corresponding glyphs set on tabular widths (lining or oldstyle).
Ordinals: Contextually replaces default alphabetic glyphs which follow numbers with superscripted glyphs and the sequence ‘No’ with the numero character (No). This feature includes Latin as well as Greek lowercase and capital ordinals.
Small Caps: This feature formats lowercase text as small caps. These are not computer generated scaled-down versions of capitals, but rather glyphs which have been designed to match the weight and proportions of the rest of the family characters. They are often used in combination with oldstyle figures, for acronyms and abbreviations and stylistically at the beginning of a paragraph (this feature includes Latin, Greek and Cyrillic small caps).
Small Caps from Capitals: Replaces capital glyphs with small caps (this feature includes Latin, Greek and Cyrillic small caps).
Stylistic Alternates : Replaces non-standard glyphs with alternate forms purely for aesthetic reasons.
Superiors : Replaces lining and oldstyle figures with superior figures and lowercase letters with
superior letters. These superior glyphs are not computer generated scaled-down versions but are rather
redesigned to match the weight of the regular glyphs. Superior figures are used mainly for footnotes
and superior letters for abbreviated titles (this feature includes Latin as well as Greek superior
lowercase and capital letters).
Scientific inferiors : Replaces lining and oldstyle figures with inferior figures. They have been
designed to match the weight of the regular glyphs and sit lower than the standard baseline. Used
primarily for mathematical and chemical notations.
Ornaments/Various Symbols : This feature may replace the bullet or other characters with any of the available ornaments/symbols. All of them are best accessed from the program’s ‘Glyphs Palette’ when available. There is a total of 270 ornaments/symbols included for packaging, public areas, environment, transportation, computers, fabric care, urban life.
SCRIPTS
1250 Eastern European , 1252 Latin 1 , 1254 Turkish , 1257 BalticSUPPORTED LANGUAGES
Albanian, Bosnian (Latin), Croatian, Czech, Hungarian, Polish, Romanian, Slovak, Slovenian, Sorbian, Afrikaans, Alsatian, Basque, Bislama, Breton, Catalan, Chamorro, Danish, Dutch, English, Faroese, Finnish, Flemish, Franco-Provencal, French, Frisian, Friulian, Galician, German, Greenlandic, Icelandic, Indonesian, Irish, Italian, Ladin, Latin, Luxembourgish, Malay, ManxGaelic, Norwegian (Bokmål), Norwegian (Nynorsk), Occitan, Portuguese, Rhaeto-Romance, Romansh, Sami (Inari), Sami (Lule), Sami (Skolt), Sami (Southern), ScottishGaelic, Spanish, Swahili, Swedish, Tagalog, Walloon, Welsh, Azeri (Latin), Kurdish (Latin), Turkish, Uzbek (Latin), Estonian, Latvian, LithuanianNAME
PF Lindemann SansFORMAT
OpenType PSPACKAGE
Family of 12 fonts (also available as separate weights)GLYPHS
800 glyphs per font
PRO FEATURES
Small Caps, Standard f-Ligatures, Discretionary Ligatures, Oldstyle Figures (tabular/proportional), Lining Figures (tabular/proportional), Superiors (numerals/lowercase letters), Scientific Inferiors, Fractions, Ordinals, Stylistic Alternates, Numerators / denominators.
PRICE
family: €325.00
single weight: €45.00