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Adamant Sans Pro
Adamant Sans Pro is a contemporary and a very functional typeface that is ideal for combining with the Adamant serif version, but it can also be used alone, or as the alternative to several classic sans typefaces. This carefully designed family consists of 18 fonts, including true italics.
€415.00 complete family
Adamant Sans Pro
Copyright ©2015
Designer: Vedran Erakovic
Adamant Sans Pro is a contemporary and a very functional typeface. It stands out from the crowd with its uniquely designed rounded corners and beautiful italics. Adamant Sans is the ideal companion of the Adamant serif version, but it can also be used alone as the perfect alternative to several dull looking classic sans. This carefully designed family consists of 18 fonts, including true italics. Its extreme weights, such as hairline and black are ideal for setting big and powerful headlines, while intermediate weights work very well in long texts at small point sizes. Weights are finely balanced so that they can be easily combined, depending on the type of paper and other conditions. Thanks to its proportions, high x-height and wide apertures, this typeface is very legible and suitable for setting books, magazines, newspapers, but is also valuable for use in large sizes, as well as for complex corporate projects. It supports advanced typographic features such as small caps, lining and oldstyle figures in proportional and tabular widths, fractions, ligatures, etc., and provides simultaneous support for Latin and Cyrillic as well as kerning for these languages.
Fractions: Figures separated by slash, are replaced with diagonal fractions.
Ligatures: Replaces a sequence of glyphs with a single glyph, creating a professional-looking text with no peculiar collisions among letters. This feature covers the standard f-ligatures.
Oldstyle figures: Changes selected figures from the default lining to oldstyle i.e. numbers of varying height. These are appropriate for use with lowercase text. They come in two different styles: tabular and proportional. Tabular figures have equal widths (useful for tables, so that numbers line
up from one line to the next) whereas proportional have varying widths and are basically used within a sentence.
Lining figures: This feature changes selected figures from oldstyle to the default lining form. Lining figures are numbers which fit better with all-capital text and they are of the same height as capitals or a bit smaller. They also come in two different styles: tabular and proportional.
Proportional figures: Replaces selected figure glyphs which are set on tabular widths (lining or oldstyle), with corresponding glyphs set on proportional widths (lining or oldstyle).
Tabular figures: Replaces selected figure glyphs which are set on proportional widths (lining or oldstyle), with corresponding glyphs set on tabular widths (lining or oldstyle).
Small Caps: This feature formats lowercase text as small caps. These are not computer generated scaled-down versions of capitals, but rather glyphs which have been designed to match the weight and proportions of the rest of the family characters. They are often used in combination with oldstyle figures, for acronyms and abbreviations and stylistically at the beginning of a paragraph (this feature includes Latin and Cyrillic small caps).
Small Caps from Capitals: Replaces capital glyphs with small caps (this feature includes Latin and Cyrillic small caps).
Stylistic Alternates: Replaces non-standard glyphs with alternate forms purely for aesthetic reasons.
Superiors: Replaces lining and oldstyle figures with superior figures and lowercase letters with
superior letters. These superior glyphs are not computer generated scaled-down versions but are rather
redesigned to match the weight of the regular glyphs. Superior figures are used mainly for footnotes
and superior letters for abbreviated titles (this feature includes Latin as well as Greek superior
lowercase and capital letters).
Scientific inferiors: Replaces lining and oldstyle figures with inferior figures. They have been
designed to match the weight of the regular glyphs and sit lower than the standard baseline. Used
primarily for mathematical and chemical notations.
SCRIPTS
1250 Eastern European , 1251 Cyrillic , 1252 Latin 1 , 1254 Turkish , 1257 BalticSUPPORTED LANGUAGES
Albanian, Bosnian (Latin), Croatian, Czech, Hungarian, Polish, Romanian, Slovak, Slovenian, Sorbian, Azeri (Cyrillic), Belarusian, Bosnian (Cyrillic), Bulgarian, Kyrgyz, Macedonian (FYROM), Moldovian, Mongolian, Russian, Serbian, Tatar, Ukrainian, Uzbek (Cyrillic), Afrikaans, Alsatian, Basque, Bislama, Breton, Catalan, Chamorro, Danish, Dutch, English, Faroese, Finnish, Flemish, Franco-Provencal, French, Frisian, Friulian, Galician, German, Greenlandic, Icelandic, Indonesian, Irish, Italian, Ladin, Latin, Luxembourgish, Malay, ManxGaelic, Norwegian (Bokmål), Norwegian (Nynorsk), Occitan, Portuguese, Rhaeto-Romance, Romansh, Sami (Inari), Sami (Lule), Sami (Skolt), Sami (Southern), ScottishGaelic, Spanish, Swahili, Swedish, Tagalog, Walloon, Welsh, Azeri (Latin), Kurdish (Latin), Turkish, Uzbek (Latin), Estonian, Latvian, LithuanianNAME
PF Adamant Sans ProFORMAT
OpenType PSPACKAGE
Family of 18 fonts (also available as separate weights)GLYPHS
706 glyphs per font
PRO FEATURES
Small Caps, Standard f-Ligatures, Oldstyle Figures (tabular/proportional), Lining Figures (tabular/proportional), Superiors (numerals/lowercase letters), Scientific Inferiors, Fractions, Ordinals, Stylistic Alternates, Numerators / denominators, Capital spacing, Localized forms
PRICE
family: €415.00
single weight: €45.00